A diverse survey of Mozart’s ‘occasional’ music, including his grandest serenade as well as one of his earliest and strangest works, alongside two late and powerful masterpieces.
Composer: Wolfgang Amadeus Mozart
Artists: Czech Chamber Philharmonic Orchestra Pardubice
Vahan Mardirossian conductor
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The ‘Posthorn’ Serenade of Mozart has been recorded on many occasions, but perhaps never with such stimulating and contrasted couplings as this new recording from the Czech Chamber Philharmonic Orchestra Pardubice under their Armenian music director, Vahan Mardirossian. These forces recently made an attractive album of Mozart’s ‘Lodron’ divertimenti (97307); now they turn to the grandest of the serenades which Mozart composed while still in the service of the Prince Archbishop of Salzburg.
The ‘Posthorn’ Serenade dates from 1779, and the harmony of its grand introduction immediately belongs to the richly ambivalent world of mature Mozart. Everything here is calculated to entertain, such as the graceful pairs of minuets, and the extensive ‘concertante’ movement featuring a cadenza for solo winds, but beyond that there is a uniquely Mozartian pathos which emerges most strongly in the D minor Andantino.
Little within Mozart’s output could present a stronger contrast than the patchwork of dances and tunes compiled by the 10-year-old composer while convalescing after a serious illness in The Hague. Commissioned for a piece to celebrate the accession of William V as Prince of Orange, he produced this 17-movement ‘Gallimathias Musicum’.
No less imposing in its way is the Fugue in C minor which Mozart originally wrote for two pianos in December 1783. Rescoring it for strings in June 1788, he added a stern and prefatory Adagio. Known as the Adagio and Fugue K546, this has been recorded by forces ranging from string quartet to full symphony orchestra; the Czech Chamber Philharmonic Orchestra presents a compelling middle way.
- Mozart’s Posthorn Serenade, composed in 1779, is one of his best known and most successful Serenades. The serenade’s name is derived from the prominent solo for posthorn, a valveless brass instrument used in postal services during Mozart’s time. Its five movements blend elegance with lively rhythms. From the graceful Andante to the spirited Menuetto, it abounds in melodic richness, charm, infectious brilliance and wit.
- Also included in this recording are the lighthearted Gallimatthias musicumKV32, the moving Maurerische Trauermusik KV477 and the Adagio & Fuga KV546.
- Played in Historically Informed Performance Practice on modern instruments by the Czech
Tracklist:
Wolfgang Amadeus Mozart:
Serenade in D Major, :
00:00:00 I. Adagio maestoso – Allegro con spirito
00:18:20 II. Menuetto. Allegretto – Trio
00:19:38 III. Concertante. Andante grazioso
00:25:42 IV. Rondeau. Allegro ma non troppo
00:32:09 V. Andantino
00:36:18 VI. Menuetto – Trios Nos. 1 & 2
00:40:20 VII. Finale. Presto
Gallimathias musicum, :
00:41:53 I. Molto allegro
00:42:27 II. Andante
00:43:35 IV. Allegro finale
00:45:07 V. Pastorella
00:45:44 VI. Allegro – VII. Allegretto
00:46:21 VIII. Allegro
00:46:59 IX. Molto adagio
00:47:45 X. Allegro
00:48:07 XI. Largo – XII. Molto allegro
00:50:22 XIII. Andante – XIV. Allegro
00:51:18 XV. Menuett
00:52:26 XVI. Adagio – XVII. Presto
00:52:56 XVIII. Fuga
00:56:02 Maurerische Trauermusik,
01:01:24 Adagio and Fugue in C Minor,
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