Dragonlance Last Trial Последнее Испытание мюзикл (Fantasy Musical Евгений Егоров Баярунас dark dnd
Stage version of the fantasy musical The Last Trial from 09/08/2019 & 12/12/21.
The Last Trial is a fantasy musical based on the book series DragonLance: The Saga of the Spear by Margaret Weiss and Tracey Hickman. Music by bard-composer Anton Kruglov, libretto by Elena Khanpira.
You can purchase content and video releases of musicals The Last Trial & Viy on Starway Lab here:
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Daria Burlyukalo:
Many thanks to KrinSab group @KrynnSub for translation.
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Two actors were introduced into the stage version for Dalamar, which, according to director’s intention, was supposed to symbolize the essence bifurcation of this character.
The original story of twins’s mother, Rosamun Majere, who is also one of the musical’s current characters, is changed and directly linked to Takhisis, as is Raistlin’s magical powers acquisition.
The authors of musical initially did not set themselves goal of describing Twins Trilogy plot as fully as possible. Musical main characters are the black magician Raistlin Majere, light priestess Crysania Tarinius, warrior Caramon and the dark goddess Takhisis. The lines of some heroes were changed and supplemented, they received a deeper understanding and dramatic tone.
The main differences between the musical and the original:
The fictional world of Kryn is made more monotheistic: the authors left the opposition of Darkness and Light, removing the Red component, which expresses balance. This move is intended to sharpen the problem of choosing heroes and bring the fictional world closer to the realities of our culture and psychology.
In the musical, the number of characters that do not affect development of storyline is reduced to a minimum. Tasselhoff, Tanis, Fistandantilus, etc. are missing.
All the temporal movements of heroes have been removed from the musical, for which the War of the Spear, the War of the Dwarf Gates (the battle for Zaman) and the Cataclysm (the fall of Istar) are assigned to the same time.
Responsibility for the Cataclysm rests entirely with policy of Priest-King, without disclosing the premise that has been brewing for a long time.
The novelty of the authors of musical was the dispute between Crysania and Priest-King, as well as the presence of Crysania in the gladiatorial arena. The changes were made to expose the character of the heroine, to reveal the ideological conflict and to spice up the plot.
Author endowed Takhisis with the features of Great Mother, embodying femininity in all its manifestations, giving and taking life, which is especially clearly seen in the songs Tango with Death and Isis under the Veil. The last form and content refers to the ancient Egyptian hymns to the goddess Isis.
00:00:00 Prologue
00:01:02 Those Eyes
00:03:23 Wizard’s Dream
00:05:02 Call of Abyss
00:07:02 Brothers Divergence
00:10:31 Prayer in Temple
00:12:06 Meeting at Chronicler
00:17:50 Playing with Fire
00:21:28 Will Give You a Name
00:24:03 Caramon in Solace
00:36:16 Conclave Of Mages
00:43:15 Sorcerer’s Apprentice
00:44:21 Kingpriest of Istar
00:48:13 Delight
00:50:39 Prosecutor
00:52:38 In Name of Faith
00:55:10 Kingpriest Revealing
00:58:09 Warrior of Light
00:59:25 Dispute in Temple
01:03:40 Caramon in Prison
01:06:30 Gladiator
01:09:44 Arena Fight
01:11:36 Kingpriest Mass
01:14:59 On the Istar Ruins
01:16:02 Legend of Gates
01:19:32 Wizard’s Childhood
01:28:14 Brother’s Reconciliation
01:30:01 Wizard’s Army (War)
01:33:06 Deception
01:34:12 The Blade
01:36:59 Seduction
01:41:55 About Love
01:46:37 Caramon Lullaby
01:51:59 Crysania’s Oath
01:54:00 Trial by fire
01:58:03 Meeting Takhissis
02:01:56 Isis under veil
02:05:29 Succub
02:06:56 Abyss Nightmares
02:08:54 Mother Ghost
02:12:06 Tango with Death
02:14:55 The Prey
02:18:34 Takhisis Fall
02:19:10 Sorcerer’s Renunciation
02:22:22 Edge of Abyss
02:25:27 Lord of Nothing
02:32:31 Final Bows
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