Milhaud - Le boeuf sur le toit, Op. 58 (with score)
Or “The Ox on the Roof: The Nothing-Doing Bar,“ 1920 ballet to a scenario by Jean Cocteau. Score of the piano duet transcription by the composer.
Ulster Orchestra
Yan-Pascal Tortelier
Milhaud’s score is strongly influenced by Brazilian popular music--in fact, it quotes nearly 30 Brazilian melodies and is infused with Latin rhythms and noisy, choros-like orchestrations throughout. Milhaud had spent two years in Brazil as a cultural attaché.
The piece cycles through tonalities rooted in all twelve pitches, in an ascending pattern according to the three possible diminished seventh chords:
C - Eb - F#/Gb - A
Db - E/Fb - G - Bb
D - F - G#/Ab - B
before returning at last to the original tonic of C.
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Darius Milhaud’s “Segoviana for Guitar, Op. 366“ played by Brendon Grabowski on a 1973 Ignacio Fleta