Composer, theorist and guitarist Gaspar Sanz was born in Calanda in Aragón in 1640, and in 1674, in Zaragoza, he published the first edition of his Instrucción de música sobre la guitarra española, containing numerous compositions. Sanz’s music reveals him to have been a key figure in bridging two different musical traditions – the Spanish and the Italian. We know from his own testimony that music from outside Spain was being performed in Zaragoza in his lifetime, and the cultural influence of Austria, with its leanings for the Italian style, would also have been felt in the city at that time.
Composer: Gaspar Sanz
Artists: Alberto Mesirca (guitar)
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Sanz’s book, at once a collection of music and a method, was addressed to both aficionados and beginners, as well as professional musicians. By the time Sanz published the Instrucción de música, these had already long been part of the art music from which Sanz drew his inspiration. Having travelled the continent extensively, much of his musical education took place in Italy, and he would have encountered these songs and dances there in instrumental versions.
Italian classical guitarist Alberto Mesirca was hailed as ‘prodigiously talented’ in Classical Guitar Magazine, and Kenneth Keaton of American Record Guide praised his album Scarlatti Sonatas as ‘the best Scarlatti I’ve heard on solo guitar’. He is a two-time winner of the “Golden Guitar” Award: for Best Recording in 2007 and as Best Upcoming Artist of the Year in 2009.
This video contains the recording of all of Sanz’s punteado (plucked) music for guitar, together with the corresponding rasgueado (strummed) parts or dances. He includes his own arrangements of the dances ‘La tarantela’ and ‘Baile de Mantua’, which Sanz published in strummed versions only.
Tracklist:
0:00:00 Jácaras
0:03:14 Marionas
0:06:24 Villanos
0:08:00 Dance de las hachas – La buelta, IGS 6
0:09:01 Españoletas, IGS 3
0:12:03 Pavana, IGS 5
0:13:26 Torneo
0:14:08 Batalla
0:14:51 Passacalle sobre la d con muchas diferencias para soltar una y otra mano
0:17:03 Gallardas, IGS 4
0:19:32 Canarios, IGS 1
0:24:14 Preludio y fantasía con mucha variedad de falsas para los que se precian de aficionados por la o
0:26:46 Alemanda “la serenissima”
0:28:58 Jiga al aire Inglés
0:30:45 Zarabanda francesa
0:31:25 Preludio, o capricho arpeado por la – Sesquiáltera
0:33:10 Alemanda “la preciosa”
0:35:49 Coriente
0:37:01 Zarabanda francesa
0:38:05 Fuga 1ª, por primer tono al ayre Español
0:39:36 Al que gustare de falsas ponga cuido en estos cromáticos
0:40:30 Fuga 2ª, al ayre de jiga
0:41:11 Zarabanda francesa
0:41:52 Passacalles por la e
0:44:13 Passacalles con varios pasajes, campanelas, y con cromáticos las 8 últimas diferencias
0:47:04 Folías
0:48:29 Rujero
0:49:15 Paradetas
0:50:05 Matachín
0:51:05 Zarabanda
0:51:45 Chacona
0:53:03 Españoletas, IGS 3
0:55:00 Pasacalles
0:55:44 Mariçápalos
0:59:01 Granduque
1:02:00 Otro granduque
1:03:17 Passacalles
1:04:24 Pavanas por la d, con partidas al aire español
1:07:05 Jiga inglesa
1:07:56 Bailete francés
1:08:35 Passacalles por la o
1:11:57 Clarines y trompetas con canciones muy curiosas Españolas, y de estranjeras naciones
1:13:28 La cavallería de Nápoles con dos clarines, IGS 2
1:14:43 Canciones
1:15:26 La garzona
1:16:05 La coquina francesa
1:16:47 Lantururú
1:17:32 La esfachata de Nápoles
1:18:16 La miñona de Cataluña
1:18:43 La minina de Portugal
1:19:21 Dos trompetas de la reyna de Suecia
1:20:00 Clarín de los mosqueteros del rey de Francia
1:20:43 Baile de Mantua
1:21:52 La tarantela
1:22:46 Passacalles por la c por cruçado y por quinto tono punto alto
1:25:14 Prosiguen más diferencias sobre los antecedentes passacalles con falsas a tres y quatro voces y cromáticos
1:28:35 Passacalles por la I
1:30:59 Passacalles por la E, y D, por el cinco y seis, y por primero y quarto tono
1:32:26 Estos passeos son por 4 tono
1:34:29 Passacalles por la K por el siete y el ocho, por tercer tono, y 4° punto alto
1:36:28 Paso por el ocho y K²
1:38:15 Passacalles por la H, por el quatro y por quinto tono punto bajo
1:41:25 Passacalles por la G, y B por el tres, y dos y por el sexto y quinto tono
1:43:13 Passeos por la B
1:45:05 Passacalles por la O, por el uno bemolado, y por segundo tono
1:48:31 Passacalles por la L, por el dos bemolado, y por primer tono punto
1:51:48 Passacalles por la K², por el ocho, y por quarto tono punto alto
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#Sanz #Complete #Guitar #ClassicalMusic #BrilliantClassics #AlbertoMesirca
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