In Tianzhuo Chen’s new work, ‘The Dust’, the artist’s demand to get beyond the body leads him to consider what the performative aspects of ritual and ceremony look like in the absence of human beings. Situating ceremonial objects, farming tools, vultures, which have special significance in Tibetan Buddhism, and the landscape around Cuogao Village and Damu Temple in the Nagqu District of Tibet as the work’s primary protagonists, Chen positions the human condition as inherently Sisyphean. He documents the instruments of mankind’s struggle to atone for original sin, moving from remnants of ancient life and images of natural beauty to water-powered prayer wheels, the wreckage of industrial machinery and rows of human skulls. Chen reveals a world in disorder, objects and instruments linked together by the absurd logic of chaos and creation. “In a universe suddenly divested of illusions and lights, man feels an alien, a stranger,” writes Albert Camus in The Myth of Sisyphus. “This divorce between man and his life,
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9 months ago 00:06:44 1
The Body & Dis Fig_Back to the Water_
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The Body & Dis Fig_Orchards of a Futile Heaven_
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TRANCE BAND_(Enter) Hell_
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Gabber Modus Operandi_Larung_
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TRANCE BAND_Soft and Black_
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Dis Fig_Doll Parts_Entrancing_
2 years ago 00:23:13 1
Tianzhuo Chen Presents: The Dust
3 years ago 00:05:35 1
Aïsha Devi “Mazdâ“ - Official Music Video
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Tianzhuo Chen Presents: Trance
4 years ago 00:30:00 3
Tianzhuo Chen Presents: Trance (Behind The Scenes)
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33EMYBW x Tianzhuo Chen | Boiler Room x Asian Dope Boys
7 years ago 00:20:53 2
Aïsha Devi feat. Tianzhuo Chen and Asian Dope Boys live at Click Festival 2017, Elsinore 20170520a
7 years ago 00:07:52 20
Aïsha Devi feat. Tianzhuo Chen and Asian Dope Boys live at Click Festival 2017, Elsinore 20170520b