Eden Golan - Hurricane | Israel ๐Ÿ‡ฎ๐Ÿ‡ฑ | Official Music Video | Eurovision 2024

Hurricane - Eden Golan The Israeli entry for the Eurovision Song Contest 2024 Label: Session42 Management :Rachel Bracha & Amit Shine @session42 Booking Agency: Tedy Productions | 972โ€“3โ€“648886; 972โ€“52โ€“4188530; info@ Booking Management: Lee Party & Hava Shporer | 972โ€“54โ€“2046766; Lee@, Havas@ Executive Producer: Yoav Tsafir Producer: Sivan Young Communications advisor: Gali Wilf 0507362272 Public relations: Amit Humtzani 0548155750 Social media manager: Ronny peretzFor press and Eurovision related inquiries, please contact P.R Manager: Gali Raviv : galiraviv17@ Media management : Yakir Vana Productions Digital Distribution: Session42 Lyrics: Keren Peles, Avi Ohayon Music: Avi Ohayon, Keren Peles ,Stav Beger Produced & Arranged: Stav Beger Keyboards & Programing: Stav Beger Guitars: Idan Shneor Piano: Tal Forer Cello: Yael Shapira Violin: Avner Kelmer String arrangement: Yael Shapira Mix & Mastering: Stav Beger & Omri Bar Hod Recorded at the โ€œStav Beger Studiosโ€œ Hurricane Writer of my symphony Play with me Look into my eyes and see People walk away but never say goodbye Someone stole the moon tonight Took my light Everything is it black and white Whoโ€™s the fool who told you boys donโ€™t cry Hours and hours, empowers Life is no game but itโ€™s ours While, the time goes wild Everyday Iโ€™m losing my mind Holding on in this mysterious ride Dancing in the storm I got nothing to hide Take it all and leave the world behind Baby promise me youโ€™ll hold me again Iโ€™m still broken from this hurricane This hurricane Living in a fantasy, ecstasy Everything is meant to be We shall pass but love will never die Hours and hours, empowers Life is no game but itโ€™s ours While, the time goes wild Everyday Iโ€™m losing my mind Holding on in this mysterious ride Dancing in the storm I got nothing to hide Take it all and leave the world behind Baby promise me youโ€™ll hold me again Iโ€™m still broken from this hurricane This hurricane โ€ืœื ืฆืจื™ืš ืžื™ืœื™ื ื’ื“ื•ืœื•ืช ืจืง ืชืคื™ืœื•ืช ืืคื™ืœื• ืื ืงืฉื” ืœืจืื•ืช ืชืžื™ื“ ืืชื” ืžืฉืื™ืจ ืœื™ ืื•ืจ ืื—ื“ ืงื˜ืŸ Video credits: Directed by Ofir Peretz Cinematography by Yonatan Kovach Edited by Or Tobias Visual effects by Raconteur Vfx producer: Konstantin Galyko Vfx superviser : Indy Hait Color : Yerlan Tanayev, The Mill Art and Design by Michael Sasson Main Lighting by Shuki Paz, Ftian Ibrahim assistant director: Adin Weiner, Omri Lipman Grip: Ronen Yahalomi, Moshe Buckman Artistic Consultant: Shay Bonder Creative producer: Yuval Cohen Artistic Producer : Sivan Young Styling by Itay Bezaleli Make-Up by Ortal Elimelech Hair Styling by Ran Karisi Choreography by Avihai Haham Dancers: Adi Schwarz, Ofri Agmon, Nathan Chipps, Igor Ptashenchuk, Sean Howe, Naor walker, Lia Gissin, Guy Davidson, Shelby Green, Londiwe Khoza, Michal Fitoussi Stav Azari, Gianni Notarnicola, Tamir Golan Dancers Make-up: Lior Bigio ,Michal Peri Dancers Hair Styling: Ori Azani, Eliran Shalom Producer: Moran Bois Clip production: Moran Shalev, Nura Iland, Roni Gal Cover Graphic Design by Shine Horovits photographer: Ran Yehezkel ืžื™ืœื™ื: ืงืจืŸ ืคืœืก, ืื‘ื™ ืื•ื—ื™ื•ืŸ ืœื—ืŸ: ืื‘ื™ ืื•ื—ื™ื•ืŸ, ืงืจืŸ ืคืœืก, ืกืชื™ื• ื‘ื’ืจ ืขื™ื‘ื•ื“ ื•ื”ืคืงื” ืžื•ืกื™ืงืœื™ืช: ืกืชื™ื• ื‘ื’ืจ ืงืœื™ื“ื™ื ื•ืชื™ื›ื ื•ืชื™ื: ืกืชื™ื• ื‘ื’ืจ ื’ื™ื˜ืจื•ืช: ืขื™ื“ืŸ ืฉื ื™ืื•ืจ ืคืกื ืชืจ: ื˜ืœ ืคื•ืจืจ ืฆืณืœื•: ื™ืขืœ ืฉืคื™ืจื ื›ื™ื ื•ืจ: ืื‘ื ืจ ืงืœืžืจ ืขื™ื‘ื•ื“ ืžื™ืชืจื™ื: ื™ืขืœ ืฉืคื™ืจื ืžื™ืงืก ื•ืžืืกื˜ืจื™ื ื’: ืกืชื™ื• ื‘ื’ืจ, ืขื•ืžืจื™ ื‘ืจ ื”ื•ื“ ื”ื•ืงืœื˜ ื‘ืื•ืœืคืŸ ืฉืœ ืกืชื™ื• ื‘ื’ืจ galiav@ ืฉื™ื•ื•ืง ื“ื™ื’ื™ื˜ืœื™: ื™ืงื™ืจ ื•ื ื” ื”ืคืงื•ืช | Y.V Productions ื”ืคืฆื” ื“ื™ื’ื™ื˜ืœื™ืช: Session42 :ืงืœื™ืค ื‘ืžืื™: ืื•ืคื™ืจ ืคืจืฅ ืฆืœื: ื™ื•ื ืชืŸ ืงื•ื‘ืฅืณ ืขื•ืจืš: ืื•ืจ ื˜ื•ื‘ื™ืืก ืืจื˜: ืžื™ื›ืืœ ืฉืฉื•ืŸ ืชืื•ืจืŸ ืจืืฉื™: ืฉื•ืงื™ ืคื–, ืคืชื™ืืŸ ืื‘ืจื”ื™ื ื’ืจื™ืค: ืจื•ื ืŸ ื™ื”ืœื•ืžื™, ืžืฉื” ื‘ื•ืงืžืŸ ืกื˜ื™ื™ืœื™ื ื’: ืื™ืชื™ ื‘ืฆืœืืœื™ ืื™ืคื•ืจ: ืื•ืจื˜ืœ ืืœื™ืžืœืš ืขื™ืฆื•ื‘ ืฉื™ืขืจ: ืจืŸ ืงืจื™ืกื™ ืขื•ื–ืจื™ ื‘ืžืื™: ืขื“ื™ืŸ ื•ื™ื ืจ, ืขื•ืžืจื™ ืœื™ืคืžืŸ ื™ื™ืขื•ืฅ ืื•ืžื ื•ืชื™: ืฉื™ ื‘ื•ื ื“ืจ ื™ื™ืขื•ืฅ ื•ืงืจื™ืื™ื™ื˜ื™ื‘ : ื™ื•ื‘ืœ ื›ื”ืŸ ืžืคื™ืง ืื•ืžื ื•ืชื™: ืกื™ื•ืŸ ื™ืื ื’ ื›ื•ืจื™ืื•ื’ืจืคื™ื”: ืื‘ื™ื—ื™ ื—ื›ื ืจืงื“ื ื™ื: ื ืื•ืจ ื•ื•ืœืงืจ, ืฉื•ืŸ ื”ืื•, ื’ื™ืื ื™ ื ื•ืชืจื ื™ืงื•ืœื”, ืœื•ื ื“ื™ื•ื•ื” ืงื•ื–ื”, ืฉืœื‘ื™ ื’ืจื™ืŸ, ืขื“ื™ ืฉื•ื•ืจืฅ, ื’ื™ื ื“ื•י
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