Perhaps more than any other instrument, the guitar had its ups and downs in history. Before the “Great Vogue“ brought it into the limelight, and after its luminous period faded, the guitar struggled against cultural and musical marginalization, often dismissed by the establishment and overshadowed by other instruments. In this video, we explore the fascinating story of Fernando Sor, one of the most distinguished composers for the guitar. Sor’s compositions, known for their emotional depth, expressiveness, and technical brilliance, stand as a testament to his genius and the guitar’s capability as a solo instrument. Join Jakob Schmidt, along with Erik Stenstadvold, emeritus professor from the Norwegian Academy of Music and a leading expert on the history of the guitar, as we unravel the rich narrative of Sor’s life, his music, and the remarkable period in which he lived. This journey not only celebrates Sor’s legacy but also offers invaluable insights into approaching historical music sources, providing a deeper understanding and appreciation for classical guitar music. Whether you’re a musician, a student of music history, or simply a lover of classical guitar, this video promises to enlighten and inspire. Don’t forget to like, subscribe, and leave your thoughts in the comments below.
00:00 Intro
01:41 Historical Context
03:47 Sor’s Life during the Great Vogue
07:00 Sor’s Struggles & Fantaisie Elegiaque
08:50 Approaching the Sources
13:08 Approaching the Style
15:30 Crashing Back into Obscurity
17:09 Conclusion
Music featured in the video:
Fernando Sor:
Introduction and Variations on a theme by Mozart, Op.9
Introduction and Variations on the air ’Malbroug’,
Fantaisie Élégiaque, Op. 59
March from the ballet ’Cendrillon’,
Franz Schubert:
Symphony No. 8 “Unfinished“, Allegro moderato, 2nd theme (this is incorrectly labeled as 2nd movement in the video)
All performed by Jakob Schmidt on a G.A. Stauffer replica by Jan Tulaček, Prague.
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