How I wish Berman had played La Notte. His huge sonority helps make Il pensieroso here unusually evocative, but I do miss the heavenly mid-section Liszt introduced in its revision - with the Hungarian cadences.
Otherwise Berman points the way here, but doesn’t quite take you there in either piece, if I can decide. But Sposalizio especially, with the loving and so earnestly given pledge, and subsequent flower rain over Raphael’s bridal couple (06:30) - how beautiful isn’t this in Berman’s hands.
Be gentle with the piano tuner. Monet wasn’t understood in his time either.
Liszt: Années de Pèlerinage II (Italie),
00:00 - 1. Sposalizio
08:12 - 2. Il Pensieroso
12:25 - 5. Sonetto 104 del Petrarca
Lazar Berman, piano
Source: Radio Broadcast
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