NOW AND FOREVER
A wardrobe, yes. But a Schiaparelli wardrobe.
Of all Elsa Schiaparelli’s legacies, her most enduring might have been her marriage of art and fashion. Elsa became famous for her couture, but her career debut was those then- groundbreaking trompe l’oeil knits. Pure sportswear, they were an aggressive rebuke of everything frilly and flouncy, knitwear that was easy to slip on—and off (you can think of them as the athleisure wear of their age). Those early sweaters were among the first of her many “viral” moments over the course of her brief but influential career.
Even now, decades later, her work’s now-signature hallmarks—the codes, we’d call them today: the keyhole icon, the anatomical references, the measuring tape details—still feel eerily relevant. The house had always been renowned not only for its shapes or symbols, but because, above all, its clothes didn’t look like anything else out there. (As Elsa famously said, “No one knows how to say ‘Schiaparelli,’ but everyone know
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