Wurlitzer Electric Piano Sound Comparison: 120 vs 140 140B 200
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*🎹 THRILLER SYNTH GIVEAWAY 🎹* ✅ Visit to find out how to enter ✅
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*ABOUT THIS VIDEO*
This very special video features the beloved Wurlitzer Electric Piano and is the ultimate guide to learn about it. It was the piano of choice for iconic songs by Ray Charles, Aretha Franklin, Marvin Gaye, Van Halen, Queen, Pink Floyd, and Supertramp to name a few.
In this video you’ll be able to hear musical examples which highlight the sonic differences between the most recorded Wurlitzer models including the 120, 140, 140B and 200 series. You’ll be able to decide for yourself which model best fits YOUR sound.
This is part of my collaboration with the amazing Dr. Mix, so please check out the companion video on his channel @Doctormix which hosts our in-depth look at the Fender Rhodes.
The massive array of electric pianos in this video are courtesy of Ben Bove. He’s the piano tech of choice for superstar artists, he’s the foremost Fender Rhodes historian and as you’ll see, he’s also quite an amazing piano player. Thank you Ben!!
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*ABOUT ANTHONY*
Anthony’s musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including _*Young Guns*_ , _*Internal Affairs*_ , _*The Man From Elysian Fields*_ , _*15 Minutes*_ and _*Planes, Trains & Automobiles*_ , been commissioned by the *Los Angeles Philharmonic* for his symphonic work “In the Family Way“, written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA’s premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as *Michael Jackson’s* _*Thriller*_ .
His extensive work as a young arranger, orchestrator and performer for *Quincy Jones* , *Jack Nitzsche* , *Lamont Dozier* , *Arthur Rubenstein* and *Giorgio Moroder* was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.
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