Couperin - Harpsichord Works “Le Rossignol en Amour“ by Wanda Landowska (Century’s recording)
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François Couperin (1668-1733) Harpsichord Works by Wanda Landowska.
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*Click to activate the English subtitles for the presentation* (00:00-02:16)
00:00 Les Folies Françoises ou les Dominos - Livre 3, 13e Ordre in B minor, n°4
09:44 Le Dodo ou l’Amour au Berceau - Livre 3, 15e Ordre in A minor
12:56 La Musette de Taverny - Livre 3, 15e Ordre in A minor
14:34 Les Vergers Fleuris - Livre 3, 15e Ordre in A minor
17:02 Soeur Monique - Livre 3, 18e Ordre in F minor
21:34 Les Calotins et les Calotines ou La Pièce à Trétoux - Livre 3, 19e Ordre in D minor
24:03 Les Tambourins - Livre 4, 20e Ordre in G minor
25:11 Passacaille - Livre 2, 8e Ordre in B minor
32:17 La Favorite - Livre 1, 3e Ordre in C minor
36:59 Les Moissonneurs - Livre 2, 6e Ordre in B flat minor
39:03 Les Langueurs Tendres - Livre 2, 6e Ordre in B flat minor
41:26 Le Gazouillement - Livre 2, 6e Ordre in B flat minor
43:25 Les Bergeries - Livre 2, 6e Ordre in B flat minor
46:46 La Commère - Livre 2, 6e Ordre in B flat minor
47:52 Le Moucheron - Livre 2, 6e Ordre in B flat minor
49:08 Les Fastes.., Les Vieleux.., Les Jongleurs.. - Livre 2, 11e Ordre in B minor, n°5
54:00 Le Rossignol en Amour - Livre 3, 14e Ordre in D Major
Bonus:
56:47 La Joyeuse - Suite in D Major (Jean-Philippe Rameau)
57:52 Les Tricotets - Suite in G Major (Jean-Philippe Rameau)
59:28 Menuet Majeur et Menuet mineur - Suite in G Major (Jean-Philippe Rameau)
1:01:19 La Poule - Suite in G Major (Jean-Philippe Rameau)
1:04:29 Les Sauvages - Suite in G Major (Jean-Philippe Rameau)
1:06:08 L’Hirondelle (Louis-Claude Daquin)
1:08:13 Le Coucou (Louis-Claude Daquin)
1:10:13 Les Songes Agréables d’Athis (Jean-Baptiste Lully, arr. Jean-Henri d’Anglebert)
1:12:08 Chaconne in F Major (Jacques Champion de Chambonnières)
1:16:01 Rondeau in F Major (Jacques Champion de Chambonnières)
Harpsichord: Wanda Landowska
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What would the harpsichord be today without the persevering efforts of Wanda Landowska? The irresistible attraction of the piano and the seductions of Romanticism had relegated the harpsichord to the status of a relic of a bygone era and reduced the richness of its immense repertoire to a mere field of musicological investigation. In the early years of the following century, a new interest began to emerge in this so-called early music, written for orchestra, voice and organ. However, it was not until the pioneer Wanda Landowska that the harpsichord awoke to a second existence. Thanks to her, an essential part of Western musical history found its original rhythms and colours on instruments close to the ones that saw its birth.
Better still, Wanda Landowska inspired the composition of new works for her instrument, thus unexpectedly acclimatising the ancient plucked strings to the language of the creators of her time. She also gave rise to an entire generation of harpsichordists, each of whom, in his or her own way, continued her aesthetic adventure and led to the rediscovery of the entire Baroque literature.
Louis et François Couperin PLAYLIST (reference recordings):
Jean-Philippe Rameau PLAYLIST (reference recording):
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