What every jazz guitarist MUST learn from Bill Evans | featuring Aimee Nolte

Video 3 from my newest free course Next Level Jazz Guitar: Bill Evans’ Monthly Secret Fretboard Shortcuts Register at the link below to enjoy the full course for free AND to download the PDF with the notated example voicings I played during the video. Inside the course we look at: *The main difference between guitar and piano, and why piano players always seem to have a leg up on guitar players *How Bill Evans constructs harmonies using triads, and how we can translate that to the fretboard *How we can turn these into guitar friendly voicings and chords with inner voice movement *How to improvise elegant, perfect phrases by stealing Bill’s use of triads to find the sweet spot note for lyrical improvisation... even over complex harmonies Big thank you to Aimee Nolte@AimeeNolte for sharing what she transcribed inside Bill’s playing and putting it into such a great video. We guitar players can learn so much from piano players if we understand the real differences between the physicality of our instruments and have simple strategies for overcoming those differences and translating their ideas onto the fretboard. Check out the full video of her Bill Evans chords... Clips from the Bill Evans interview where he offers jazz students advice about practice and learning come from “The Universal Mind of Bill Evans.“