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*Other Dua Lipa sheet music* @sheet-music/search?query=Dua
An easy piano transcription made by request.
Lyrics are always included in my sheet music, singing is good for health.
Remember that the notation system was not intended to represent the sound of modern pop music with its layered vocal, computer-generated sounds, and inflections of modern electronic instruments. My piano sheet music can only show you the score within the boundaries of the twelve-note scale and a metered rhythm; alas, the pitch and rhythm have little to do with the aesthetic value of the track. Listen to the song before practicing to fully imitate the beauty of the song: its *timbre, phrasing, inflections.* Play the song, not sheet music. Sing a phrase before playing it on your keyboard.
*ABOUT THE SONG*
Imitate the vocal delivery by Dua Lipa or it won’t sound as the song. The vocal part is relatively rigid and precisely timed, a predominant vocal style is *staccato*.
Play only one vocal line in the bars 96-97, choose whichever you like more.
Notice arpeggiato (𝆃) in the bars 77 and so forth. You can omit playing the chord altogether.
_“Training Season“_ is played with a straight rhythm in common time. It is easy to count for beginners; accent strong beats to maintain a steady pulse. Practice slowly along with the recording.
To keep listeners attention, the *chorus* of _“Training Season“_ was made to be the biggest part of the song. I colored it *blue* for your convenience: it is easier to learn a piece of music when you have a mental scheme of it. Play every part differently, as expressively as possible. If some notes are too difficult to play, omit them focusing on emotions instead of sightreading.
A single vocal line accompanied by an instrumental part constitutes the entire musical texture. _“Training Season“_ has a homophonic arrengement: the instrumental part provides a harmony to support the vocal but lacks its own melody.
_“Training Season“_ is transcribed in the original *key,* F Minor, and uses only two chord: the tonic Fm and an extended dominant chord *C7* with natural E instead of E♭. The non-harmoinic Dm and B♭m are also used to create some tension. The underlying harmony lacks motion and is fundamentally static: there is no sense of harmonic progression. Its only use is to mark time.
The aesthetic value of a melodic line is achieved through the use of stepwise motion.
Of course I consider filling your *requests* of sheet music except for not popular tracks.
*CHAPTERS:*
00:00 Skip this part
00:14 Verse I
01:32 Verse II
02:35 Can you compete?
03:00 Coda
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