Mahalia Jackson - Everybody Talking’ ’Bout Heaven, Didn’t It Rain, Lord’s Prayer Live @ Newport 1958

Mahalia Jackson (October 26, 1911 -- January 27, 1972) was an American gospel singer. Possessing a powerful contralto voice, she was referred to as “The Queen of Gospel“. Jackson became one of the most influential gospel singers in the world and was heralded internationally as a singer and civil rights activist. She was described by entertainer Harry Belafonte as “the single most powerful black woman in the United States“. She recorded about 30 albums (mostly for Columbia Records) during her career, and her 45 rpm records included a dozen “golds“—million-sellers. “I sing God’s music because it makes me feel free,“ Jackson once said about her choice of gospel, adding, “It gives me hope. With the blues, when you finish, you still have the blues. In 1950, Jackson became the first gospel singer to perform at New York’s Carnegie Hall when Joe Bostic produced the Negro Gospel and Religious Music Festival.[citation needed] She started touring Europe in 1952 and was hailed by critics as the “world’s greatest gospel singer“. In Paris she was called the Angel of Peace, and throughout the continent she sang to capacity audiences. With her mainstream success, Jackson was criticized by some gospel purists who complained about her hand-clapping and foot-stomping and about her bringing “jazz into the church“. Jackson had many notable accomplishments during this period, including her performance of many songs in the 1958 film St. Louis Blues and singing “Trouble of the World“ in 1959’s Imitation of Life, recording with Percy Faith. When Mahalia Jackson recorded The Power and the Glory with Faith, the orchestra arched their bows to honor her in solemn recognition of her great voice. Jackson was known to have played an important role during the civil rights movement. In August 1956, she met Ralph Abernathy and Martin Luther King, Jr. at the National Baptist Convention. A few months later, both King and Abernathy contacted her about coming to Montgomery, Alabama, to sing at a rally to raise money for the bus boycott. They also hoped she would inspire the people who were getting discouraged with the boycott. Despite death threats, Mahalia Jackson agreed to sing in Montgomery. Her concert was on December 6, 1956. By then, the U.S. Supreme Court had ruled in Browder v. Gayle that bus segregation was unconstitutional. Jackson died in Chicago on January 27, 1972, of heart failure and diabetes complications. Two cities paid tribute: Chicago and New Orleans. Beginning in Chicago, outside the Greater Salem Baptist Church, 50,000 people filed silently past her mahogany, glass-topped coffin in final tribute to the queen of gospel song. The next day, as many people who could—6,000 or more—filled every seat and stood along the walls of the city’s public concert hall, the Arie Crown Theater of McCormick Place, for a two-hour funeral service. Mahalia’s pastor, the Rev. Leon Jenkins, Mayor Richard J. Daley, and Mrs. Coretta Scott King eulogized Mahalia during the Chicago funeral as “a friend -- proud, black and beautiful“.[26] Sammy Davis, Jr., and Ella Fitzgerald paid their respects. Dr. Joseph H. Jackson, president of the National Baptist Convention, ., Inc., delivered the eulogy at the Chicago funeral. Aretha Franklin closed the Chicago rites with a moving rendition of “Precious Lord, Take My Hand“. Mahalia Jackson’s music was played widely on gospel and Christian radio stations, such as Family Radio. Her good friend Martin Luther King, Jr., said, “A voice like this one comes not once in a century, but once in a millennium.“ Jazz on a Summer’s Day (1960) is a documentary film set at the 1958 Newport Jazz Festival in Rhode Island, co-filmed and co-directed by commercial and fashion photographer Bert Stern and director Aram Avakian, who also edited the movie. It was written by Albert D’Annibale and Arnold Perl. The Columbia Records jazz producer, George Avakian, was the musical director of the film. The film mixes images of water and the city with the performers and audience at the festival. It also features scenes of the 1958 America’s Cup yacht races. The film is largely without dialog or narration (except for periodic announcements by emcee Willis Conover). The film features performances by Jimmy Giuffre, Thelonious Monk, Sonny Stitt, Anita O’Day, Dinah Washington, Gerry Mulligan, Chuck Berry, Louis Armstrong, and Jack Teagarden. Also appearing are Buck Clayton, Jo Jones, Armando Peraza, and Eli’s Chosen Six, the Yale College student ensemble that included trombonist Roswell Rudd, shown driving around Newport in a convertible jalopy, playing Dixieland. Many performances ran so long that the last act, Mahalia Jackson, did not appear on stage until after midnight, performing The Lord’s Prayer. In 1999, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant“.