ARMAND AMAR 💔’Sileant zephyri’ (after by ) Divna Ljubojević
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Music From Soundtrack’s Doc. ’HUMAN’
HUMAN Extended version Vol.1; 2; 3 (2015)
Music By ARMAND AMAR
Vol. 1 :
Vol. 2 :
Vol. 3:
HUMAN by Yann Arthus-Bertrand - Genesis of the film:
Voix: Divna Ljubojević (soprano)
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Orquestre: The City Of Prague Philarmonic
Transcription pour Piano, Voix & Orquestre de l’ Aria du Motet ’Filiae Maestae Jerusalem’ (RV 638) en Do mineur (Introduction à un Miserere), pour voix (Alto), deux violons, viole et basse continue de ANTONIO LUCIO VIVALDI (*1678 ~1741)
LATIN:
II. ARIA, ’Sileant zephyri’ (Largo)
Sileant zephyri
rigeant prata,
unda amata,
frondes, flores non satientur.
Mortuo flumine,
proprio lumine
luna et sol etiam priventur.
ARABIAN:
اسمحوا الرياح هرع،
السماح تجميد الحقول،
فإن الزهور والأوراق لا
تكون منقوعة بالماء الذي يحبونه.
مع النهر الميت
حتى القمر والشمس
سوف يحرم من الضوء الخاصة بهم.
aismahuu alriyah harea,
alsamah tajmid alhuquli,
fa’iina alzhwr wal’awraq la
takun manqueat bialma’ aldhy yuhibunah.
mae alnahr almayit
hataa alqamar walshams
sawf yuharim min aldaw’ alkhasat bihim.
PERSIAN:
بگذار بادها خاموش شوند
اجازه دهید که فیل ها را مسدود کنیم
گل ها و برگ ها نخواهند بود
با آبي كه دوست دارند خيس شود.
با رودخانه مرده
حتی ماه و خورشید
از نور خود محروم خواهند شد.
(ENGLISH)
Let the winds be hushed,
let the fields freeze,
the flowers and leaves will not
be drenched with the water they love.
With the river dead
even the moon and the sun
will be deprived of their own light.
Transcription du Compositeur, Armand Amar ()
Website:
Composition Original de Antonio Lucio Vivaldi (*1678 ~1741)
Source du Motet: “Filiae maestae Jerusalem“ (’Introduzione al Miserere’), RV 638 Do minore (Recitativo - Aria - Recitativo), per voce (alto), due violini, viola e basso continuo (RV 638)
Bibliothèque Nationale, Giordano, Turin, M.S. 33 (f. 54-59).
Texte - Anonymous
NOTE:
“The Introduzione is a fairly unusual form of which we have few examples.
Two of them were written for a Miserere in C-minor which unfortunately has not survived. The Motet “Filiae maestae Jerusalem“ is made up of an aria (Sileant Zephiri; Largo 3/4 time, F-minor) in three-part form, a lyric, rhythmic dialogue between voice and orchestra, framed by two accompanied recitativos. The first of these is expressively accented over long, solemn, movingly held chords, suggesting the weeping of the Daughters of Jerusalem and of all creation at the memory of Christ’s suffering.“
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