56. How to use Dance and Movement in Magic - Alkistis Dimech of Scarlet Imprint (Part 1 of 2)
Talking with Alkistis Dimech of Scarlet Imprint about the importance of body movement in magic
**Topics**
- Alkistis’ dance background
- How her childhood feelings of alienation have fueled her dance
- How she got into the London occult scene
- Male vs. female relationship to space
- Dance as ritual magic
- Putting body and occult together
- What is the occulted body?
- Holding trauma in the body vs. transmuting it
- Using dance to heal
- Techniques to unblock for magic
- How a person disconnected from body can move back into the body
- Young feminist witches
- Magic can be nurturing
**Watch the whole performance of “The decollation of flowers“**
En Chair et en Son | Italia 2017 - Michel Titin-Schnaider \ Alkistis Dimech
// LET’S BE FRIENDS
Instagram:
TikTok: @chaweonkoo
Spotify (audio only):
Facebook:
**Get in touch with Alkistis**
**Videos**
Antonin Artaud: Practical Approaches to a Theatre of Cruelty (Preview)
Kanze Noh Theatre: Lion Dance from “Shakkyo”
歌舞伎 KABUKI The Classic Theatre of Japan Produced by Koga Production
Balinese Legong Dance - Ubud, Bali
Kazuo Ono - The Dead Sea
TEDxHamburg - Minako Seki - Performance: Butoh Dance
A Vessel of Ruins 工藤 丈輝: 荒漠器 Taketeru Kudo at TEDxTokyo
Taketeru Kudo
**Intro Music**
**End song**
Dia Luna
and @dialunamusic
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