Very Very Powerful Kurukulla Mantra Fast Chanting 🙏❤
Hare Krishna🙏
Radhe Radhe ❤
Kurukullā is possibly an Indian tribal deity who was assimilated by Buddhists. She became associated with Tārā and is sometimes called Red Tārā. Incidently she was also adopted into the Hindu pantheon. In many ways she is similar to the ḍakiṇī figures such as Vajrayoginī.
Her name derives from the her residence on Kurukulla mountain in Lāṭadeśa (in present day Gujarat). In Tibetan her name is རིག་བྱེད་མ (rig-byed-ma) which means “she who is the cause of knowledge“.
Kurukullā is particularly associated with the Red Rite, the Tantric Rite of Fascination or Subjugation (vaśikaraṇa). She is red in colour, dancing on a red lotus and as Lokesh Chandra says “she beams with love in all the freshness of youth“. The Red Rite is on the mundane level associated with attracting lovers, and on the transcendental level relates to the Sameness Wisdom of Amitābha. Her seed syllable hrīḥ emphasises her relationship to Amitābha. There are some variations in her iconography but she is always shown with a pulled back bow and arrow both covered in flowers. The flowery arrow will remind westerners of Cupid, the Roman equivalent of the Greek Eros, who is depicted as a cherub who goes about shooting people with arrows that make them fall in love. She also often holds an elephant goad and a noose, both of which are used to help to subjugate lovers.
Red colour: symbolizes the west, fire, Padma Family, Lotus and notably the “family of Speech” or Dharma.
Seductive and beutiful: a sixteen-year old youth (in Tibetan Buddhism, sixteen-year-old normally symbolizes youthful vitality), which indicates her power to attract, to mesmerize, to draw-in and enchant followers to her inner Wisdom and the Dharma.
Red streams of light: emanate from her beautiful form, symbolizing her compassion reaches out to all beings.
The bow and arrow of red Uptala flowers: red is the Padma (Lotus family) and Uptala flowers are sacred to Tara: like cupid, her power to pierce us with her seductive wisdom.
Vajra hook (also red Uptala flowers): in her second pair of hands, her right hand holds a Vajra hook (in India, an Elephant Goad) to “hook back” all sentient beings into her compassionate arms
Lasso: also made of red Uptala flowers in her left hand.
Dancing: Dakinis almost always appear in “dancing” form. In part, this symbolizes the elusive, playful nature of Emptiness (Shunyata) and the pure joy of Clear Light.
Left leg stands on top of a prone male — usually indicating subduing our egos. The left leg is always the lead leg in female Dakinis (in Wrathful male deities it is the right.)
Wrathful adornments: skull crown, garland of freshly severed heads, tiger skin skirt, beautiful silks and necklaces.
Other forms: Kurukulla, depending on lineage and tradition, can also appear in other colours: blue, white, pink, seated, two-armed, six-armed or in a full mandla.
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