Fixing Mixed Lighting // Davinci Resolve 12 Lite Color Grading Tutorial

Any event videographer, or really, any filmmaker has encountered the headache of mixed color temperature light sources. One very common one is having your camera’s white balance set to incandescent or tungsten because of tungsten lighting being used indoors, but also having daylight (which looks blue) coming in through the window. In this tutorial, I correct an ugly shot and neutralize the colors, bring attention back to where I want it, and get myself a clean, very usable image once again.