Dimitrie Cantemir (1673 1723), The Composer Prince - Constantinople, dir. Kiya Tabassian
DIMITRIE CANTEMIR (1673 1723), le prince compositeur
Constantinople, Kiya Tabassian, direction
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00:00 - Zenguleh pishrow, Dowr-e Kabir, Dimitrie Cantemir
4:37 - Kanun solo, Didem Basar
6:58 - Ushak Ashirani pishrow, Zarb-e Fatih, Dimitrie Cantemir
10:11 - Setar solo, Kiya Tabassian
11:22 - Bestinigar pishrow, Barafshan, Dimitrie Cantemir
17:29 - Muhayyer pishrow, Mohammes, Dimitrie Cantemir
20:56 - Ney solo, Kianoush Khalilian
22:41 - Buzurg pishrow, Darbeyn-e Jadid, Dimitrie Cantemir
27:09 - Mahour pishrow, Darbeyn, Dimitrie Cantemir
31:20 - Bousalik pishrow, Dowr-e Ravan, Dimitrie Cantemir
36:04 - viola d’amore solo (folias), Tanya Laperrière
37:04 - Gavesht samai, Samai-e Lang, Dimitrie Cantemir
41:00 - Percussion duo, Hamin Honari & Patrick Graham
44:54 - Bousalik Ashirani samai, Samai-e Lang, Dimitrie Cantemir
L’ensemble Constantinople interprète la musique de Dimitrie Cantemir (1673-1723), prince, savant, compositeur et diplomate moldave. Si les compositions de ce personnage historique fascinant occupent une place à part entière au sein du répertoire de la musique ottomane, son influence est d’autant plus grande qu’il a aussi répertorié plus de 350 œuvres instrumentales dans son ouvrage Edvar-i Musiki. C’est en utilisant son propre système de notation qu’il a offert au monde l’une des plus importantes sommes de musique ottomane et du Moyen-Orient des 16e et 17e siècles.
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Ensemble Constantinople performs the music of Dimitrie Cantemir (1673-1723), a Moldavian prince, scholar, composer, and diplomat. A fascinating historical figure, Cantemir’s compositions are considered part of the Ottoman music repertoire. More influential though are the over 350 instrumental works that he preserved in his book, Edvar-i Musiki, using his own innovative notation system, which remains as one of the most important collections of 16th and 17th century Ottoman and Middle Eastern music.
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Avec/with
Kiya Tabassian , setar & direction
Didem Başar, kanun
Patrick Graham, percussions
Hamin Honari, percussions
Kianoush Khalilian, ney
Tanya Laperrière, violon baroque & viola d’amore
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