Paul Hindemith - Sonate für Bratsche(Viola) Solo op. 25 No. 1 (1922)(with full score)
Mov.I: Breit. Viertel 00:05
: Sehr frisch und straff. (Viertel) 02:03
: Sehr langsam 03:58
: Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache 09:33
Mov.V: Langsam, mit viel Ausdruck 11:13
Va. Gérard Caussé
“Raging tempo. Wild. Beauty of tone is of secondary importance.“ The notoriety of this oft-cited performance note, attached to the fourth movement of Hindemith’s Sonata for solo viola, Op. 25/1 (1922), unfairly overshadows the real musical value of work as a whole. Far removed from the angry, nihilistic outlook suggested by the indication above, the sonata is a vigorous, virtuosic tour de force whose technical and expressive challenges are amply repaid in the stunning sonic result. Hindemith, a violist of considerable abilities, wrote the sonata largely for his own use; it remained in his repertoire for the duration of his performing career, and he made a recording of it in 1934.
The first movement presents two main idea
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