Vernacular Solo Jazz Vocabulary for Lindy Hop and Swing Dance
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There are SO MANY different vernacular solo jazz vocabulary moves. And, if you’re new to solo jazz, you might be intimidated by the quantity of moves AND knowing which ones begin on count 8 or 1. Here’s a non-comprehensive guide to different moves danced to music from the font and behind, as well as where they begin.
If you’re having trouble physically transitioning between moves, check out these tutorials.
EXPLANATION:
PRACTICE:
START ON “8“ - EMPHASIZE EVEN BEATS
NOISY MOVES —------
00:00 - Thanks for Joining Me!
02:57 - Crazy Legs
03:03 - Fall off the Log
03:09 - Suzie Q -
03:19 - Shim Sham
03:29 - Knee Slaps
03:40 - Boogie Back
03:45 - Spank the Baby
03:56 - Tack Annie
04:07 - Push & Cross Over
MOVES THAT BEGIN WITH A KICK BALL CHANGE —---------
04:34 - Shorty George -
04:45 - Eagle Slide -
04:56 - Apple Jack -
NO RULES —--------
05:28 - Boogie Forward
05:40 - Half Break -
05:50 - TOBA Break (Full Break from the Shim Sham) -
06:00 - Hitchhiker -
06:12 - Truckin’
START ON “1“ - EMPHASIZE ODD BEATS
CHARLESTON BASIC & DERIVATIVES —---------
06:43 - Single Kicks
06:49 - Double Kicks
06:54 - 1, 2, 3, Down
06:59 - Cross Over
07:04 - Basic Charleston
07:09 - 20s Charleston
07:14 - Scarecrow
07:25 - Jump Charleston -
07:35 - Savoy Kicks
07:45 - Shish-Ka-Boom-Ba
07:55 - Kick Around
MOVES THAT STEP ON EVERY OTHER BEAT
08:26 - Drunken Sailor
08:29 - Fishtail -
08:36 - Box Step
08:47 - Camel Walk -
08:57 - Paddle Turn
09:08 - Trenches
09:18 - Rock -
09:27 - Boogie Drop
09:38 - Break a Leg
09:48 - Al & Leon Triple Steps -
NO RULES
FEELIN’ IT MOVES
11:03 - Shimmy
11:06 - Mess Around
11:09 - Shake
11:11 - Itch
11:14 - Peckin’
LAURA DOESN’T KNOW WHERE TO BEGIN
11:29 - Squat Charleston -
11:35 - Windmill / Cow tail
11:39 - Tick Tock
11:44 - Egg Beater variation
11:50 - Snake Legs
11:55 - Lock Turn -
MUSIC:
Intro / Outro: Six Cats and a Prince
Jump Jack Jump
Benny’s Bugle
Brooks Prumo’s Orchestra -
MERCH:
Prints:
Other:
50% of the money made from this channel is donated to organizations that support African Diasporic art forms, because Lindy Hop is a Black dance, and preserving and cultivating Blackness is very important to its identity. My current charities are:
Black Lindy Hopper’s Fund:
National Jazz Museum in Harlem:
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