Anton Nikkilä is a composer and translator. In his basement studio time has stood still in 2015 according to the museum gift shop calendar on the wall. While staring at “Suprematism“ (1915) by Kazimir Malevich reproduced on the last page of the calendar, Nikkilä has dreamt up an impossible project: it’s time to somehow transcode and re-assemble the aesthetic ideals of historical Russian avant-garde art using the basic building blocks of today’s electronic music.
But how to do it, if there is no revolution
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