When the move The Fugitive was released in 1993 I was adamant to see it straight away. Harrison Ford was one of Hollywood’s hot properties and, moreover, a leading role had been given to Tommy Lee Jones, for whom I had grown a soft spot. Initial reviews were glowing and critics seem to agree unanimously that a potential cult movie had been born. When I left the movie theatre I wasn’t sure what had kept me spellbound; the special effects, the storyline, Ford’s and Jones’ terrific acting or that I’d actually
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