A+ by Shift-Line: EVEREST II Stereo Reverb-Delay

12 gorgeous sounding algorithms, easy operation, full stereo I/O, solid and easy-to-navigate build. Plenty of deep-dive functions if you want t explore them, but you don’t need to go there if you’d rather just play. The best bit? Sounds. They’re really something. “The A Everest II is the result of the Everest M evolution. Aside from the new enclosure, stereo mode and tap tempo, the new pedal has got a new architecture with completely reworked algorithms. The combination of reverb and delay in a single compact pedal allows for otherworldly atmospheric textures along with classic spatial sound processing. The pedal is suited for use with any kind of instrument: guitar, bass, synths, drums, or anything else. The Everest II has retained its predecessor’s compact size, minimalist UI and extensive sonic palette. New additions include stereo mode with width control, dual mono mode, tap tempo (with external control via MIDI or analog triggers), and an improved hold mode. Sculpting your sound has never been easier; now you will have even more time for actual music creation! “ Today’s tools: Guitar: 2011 Fender Eric Johnson Stratocaster in Cardinal Red. Stock. Amp: Axe-FX III Mark II Turbo running Cygnus X-2 FW . CAE Clean model Cables: BOSS Strings: Ernie Ball Paradigm 10-46 Mic: DPA 4166-OC-F-F00-ME Headset Mic () with Sennheiser EWD Transmitter/Receiver () Camera: GoPro HERO10 Sony ZV-1M2 x 2 Soundcard: PreSonus Quantum & Fractal Audio Systems Axe-FX III MKII (guitar, mixing and bouncing). Desktop Monitors: PreSonus R80 R-Series Active AMT Studio Monitors () Headphones: Audio Technica ATH-M50x (see: ) Computer: 2017 Apple iMac Pro, 2.5 GHz 14-Core Intel Xeon W, 64 GB 2666 MHz DDR4, Radeon Pro Vega 64X 16 GB