Interlude in C major | Neo-Baroque | Composed by me

New form in the rare 5/4, and the even more rare competently composed neobaroque music. Piece is composed for piano, but performed by Musesounds suitcase piano The computer playing this for some reason swings some notes without my input, sorry about that. Musescore doesn’t allow 3 staffs on piano, thus bar 9 is split between two clefs at a point, where the tenor voice plays in the G clef for 3 notes length while the bass continues in the F cleff. Roman numeral analysis info: Inversions are indicated with alphabetical letters: a, b, c, d. fx, Vb=1st inversion. Inversions are decided by the point of inversion, not the bass note. Enharmonic equivalence does not exist. I use upper extensions of chords, such as 15ths, 17ths, 19ths, abbreviated as 8ths, 10ths, 12ths, 14ths, etc. 6th chords exist, they’re not the same as their 7th chord counterparts. They either include the fifth, or they don’t. I use “sus“ such as sus4, as “substitude“ not suspension, sus4 substitutes the third. x/M represents amount of measures that are grouped. works the same as time signatures. Strong and weak measures. What seems to be parallel fifths and octaves either is not, or one of the voices contains a note of different quality as the other. There are no mistakes. #classicalmusic #composer #originalcomposition