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BACH – CLASSICAL MASTERPIECES
01 Brandenburg Concerto No. 3 in G Major, BWV 1048
I. — 00:00
II. Adagio 05:58
III. Allegro 06:24
02 Brandenburg Concerto No. 4 in G Major, BWV 1049
I. Allegro 11:09
II. Andante 18:23
III. Presto 22:03
03 Brandenburg Concerto No. 5 in D Major, BWV 1050
I. Allegro 27:07
II. Affettuoso 37:48
III. Allegro 43:26
Orchestra da Camera Fiorentina cond. by Giuseppe Lanzetta
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04 Harpsichord Concerto No. 1 in D minor, BWV 1052 (arr. for piano)
I. Allegro 48:57
II. Adagio 57:11
III. Allegro 1:03:49
Metamorphose String Orchestra cond. by Pavel Lyubomudrov
Piano: Stanislav Soloviev
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05 Orchestral Suite No. 2 in B Minor, BWV 1067
I. Ouverture. Lentamente 1:11:53
II. Rondeau 1:19:38
III. Sarabande 1:21:10
IV. Bourrée 1:24:09
V. Double 1:26:10
VI. Minuetto 1:29:38
VII. Badinerie 1:30:56
Orchestra da Camera Fiorentina cond. by Giuseppe Lanzetta
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06 The Well-Tempered Clavier, Book II: Prelude and Fugue No. 24, BWV 869 1:32:19
07 Prelude and Fugue in A Minor, BWV 894 1:36:36
08 Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria 1:45:56
09 Notebooks for Anna Magdalena Bach: Menuet in G Minor, BWV Anh. 114 1:52:18
Giovanni Umberto Battel (piano solo)
10 The Well-Tempered Clavier, Book 1, Prelude and Fugue No 16 in G Minor, BWV 861 1:53:35
Carlo Balzaretti (piano solo)
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Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach’s compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.
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