Pink Floyd | The Great Gig in The Sky Live ( Delicate Sound of Thunder ) 60FPS

Delicate Sound of Thunder is a live album by English progressive rock band Pink Floyd. It was recorded over five nights at the Nassau Coliseum on Long Island, New York, in August 1988 and mixed at Abbey Road Studios in September 1988. It was released on 22 November 1988, through EMI Records in the United Kingdom and Columbia Records in the United States. “The Great Gig in the Sky“ is the fifth track on The Dark Side of the Moon, the 1973 album by the English progressive rock band Pink Floyd. The song features music by Richard Wright and non-lexical vocals by Clare Torry. The song began life as a Richard Wright chord progression, known variously as “The Mortality Sequence“ or “The Religion Song“. During the first half of 1972 it was performed live as a simple organ instrumental, accompanied by spoken-word samples from the Bible and snippets of speeches by Malcolm Muggeridge, a British writer known for his conservative religious views. By September 1972, the lead instrument had been switched to a piano, with an arrangement very similar to the final form but without vocals and a slightly different chord sequence in the middle. Various sound effects were tried over the track, including recordings of NASA astronauts communicating on space missions, but none were satisfactory. Finally, a couple of weeks before the album was due to be finished, the band thought of having a female singer “wail“ over the music. As the band began casting around for a singer, album engineer Alan Parsons suggested Clare Torry, a 25-year-old songwriter and session vocalist. Parsons had previously worked with Torry, and had liked her voice on a Top of The Pops covers album. An accountant from Abbey Road Studios contacted Torry and tried to arrange a session for the same evening, but she had other commitments, including tickets to see Chuck Berry that evening, so a session was scheduled for Sunday evening between 7 and 10pm. The band played the instrumental track for Torry and asked her to improvise a vocal. At first, Torry struggled to divine what the band wanted, but then she was inspired to pretend that she herself was an instrument. She performed two complete takes, the second one more emotional than the first. David Gilmour asked for a third take, but halfway through Torry stopped, feeling she was getting repetitive and had already done the best she could. The final album track was assembled from all three takes. The members of the band were deeply impressed by Torry’s performance, yet she left the studio with a standard £30 flat fee under the impression that her vocals would never make the final cut given the general lack of response from the band. She only became aware they were used when she saw the album at a local record store, spotted her name in the credits and purchased it. A 2005 out-of-court undisclosed settlement in Torry’s favour included giving her vocal composition credit. #PinkFloyd #TheGreatGigInTheSky #DelicateSoundOfThunder #TheDarkSideOfTheMoon #RachelFury